![]() One of the cooler additions is a set of MIDI effect "plug-ins" that offer such tools as MIDI arpeggiators, compression, MIDI echo, and tuners (for altering between various modal scales). Since all of Cubase SX's MIDI and scoring capabilities have been imported into 2.0, Nuendo is a lean, mean MIDI machine for scoring and makin' music. ![]() Speaking of effects, a beefy portion of VST effects have been thrown in for good measure, in addition to a small suite of General MIDI and sample-based VST instruments that are chock-full of pro sounds for introducing you to the amazing world of VSTI's. all the way to "10.2"! Since Nuendo has been time-compensated to eliminate timing delays throughout all I/O, processing and plug-in busses, you can easily route monitor or effects sends to an external device (like a favorite, hardware processing box). Of course, outputs can be defined in any mix format ranging from mono. Basically, through the use of the VST Connections Window, multiple I/O groups can be created, named, and simultaneously used to create input and output groups in any number of mono, stereo, surround, or multichannel formats. On the feature front, one of Nuendo's many changes lies in its I/O signal routing capabilities. The addition of the Inspector Window (which was borrowed from Cubase SX) lets you quickly and easily access a full range of parameters for fast control over the currently selected track, without having to use the mixer. Likewise, groups can be assigned, controlled and panned in a flexible, no- brainer fashion. For example, inserting an effect into the session automatically adds a corresponding input strip into the mixer that can be routed, panned or "anything'ed," just like any other input. This new track entry system makes signal routing and panning assignment a lot easier. You can even arrange tracks and elements into easily identifiable groups called Subfolders. Simply right- clicking in the List area, lets you insert track types such as audio, MIDI, video, FX, groups and multiple timelines into the main Event window. The Track List (where new tracks are added and control over track functions are carried out) has been greatly improved. From a functional standpoint, 2.0's Event Display (which shows audio, MIDI, automation, video and other event data) didn't change much, with the possible exception that wavefiles are superimposed behind the automation tracks, allowing for more accurate rubberband draws. Don't get me wrong, the feel is familiar enough that you'll probably forget the old way of working in no time and wonder how you managed to navigate around previous versions. With the release of 2.0, Steinberg rewrote the program enough that you'll probably need a few hours to adjust to the subtle and not-so-subtle differences in the routing, effects and general layout. More importantly, Nuendo's routing, mixing and overall operating structure just plain makes sense to me. Truth be known, I've been a hardcore Nuendo user since version 1.0, and I've always been struck by the power of this production system. Since it's impossible to fully cover the 200+ tools, toys and features that have been added to 2.0 in this review, let's take a look at some of the new version's overall highlights. all in a native processing environment that can be used with a wide range of off-the-shelf ASIO interface, controller and accessory types. Designed to nip at the heels of Pro Tools, Nuendo 2.0 offers up a straightforward, yet powerful production interface for bringing together such tools-of-the-trade as digital audio, MIDI, scoring, video, VST/DirectX effects, and support for VST instrument plug-ins. One of the forerunners in this field is Steinberg's latest flagship workstation, Nuendo 2.0 for both the PC and Mac. Over the last few years, a handful of DAW's have moved past puberty and have become serious, feature- packed, digital-audio production systems.
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![]() With people turning away from plastic, Leaf have produced a safety razor that allows you to love and enjoy your razor while taking an environmentally friendly stance towards wet shaving. You can start shaving straight away as the Leaf Twig Thorn razor comes with 5 leaf single edge blades.Ī matching Twig Razor Stand and Leaf Blade Bank is also available. ![]() The Twig Razor is made for anybody, anywhere - head, face, underarms or legs. Want a quick and safe shave Then you must try Leaf razor Leaf razor fits the skin perfectly and can help you safely truncate your beard. ![]() Not only that, but you'll walk away with enough blades to fuel your next year+ of shaving LIMITED QUANTITY. This very cool package is designed for our Founding Backers on Kickstarter. None of my razors cost me anywhere near that. I would have bought one if it werent so expensive. It cant be easy doing something new like that. I really hope theyre doing well with it because I imagine someone put a lot of work and money into production. Load the blades (lower, middle, then top) Ensure blades sit flat, matching the notch on the side of the blade with the notch on each blade level. Includes: qty 1 - Leaf Razor, your choice of finish (expected retail 79) qty 100 - BONUS blade edges. I really admire the bold concept of the Leaf razor. Open the blaze holder buy turning the screw counterclockwise. The Leaf Thorn is currently available in 7 beautiful finishes Black, Chrome, Gold, Mercury, Prism, Rose Gold and Silver. The Leaf Razor gives you all the convenience of your favorite razor without any of the waste. Unlike a normal DE razor the Twig doesn't have another blade edge hanging out the back - making it far safer and easier to use. Crafted from solid zinc and stainless steel. There’s no plastic razor, or safety razor out there that’s like a Leaf Shave. The Leaf Razor is a solution for anyone looking for a sustainable, zero-waste alternative to disposable razors. Kiss your irritating razors goodbye thanks to this lotion-strip-free razor by Leaf Shave Made with a spring-loaded pivoting head, this razor hugs all your. That means re-building products that you use daily from the ground up, and looking creatively at what we can bring to the table that’s new. Tight spots, intimate or concave areas are made easy to shave with the small safety razor head. At Leaf, we use innovation to challenge the status quo. The Twig-aggressive baseplate has an additional 0.2mm of blade gap and 0.18mm of span.ĭesigned to be easy to use, the Twig Thorn Razor delivers a smooth shave that is better for the environment. A perfectly-balanced handle cast from zinc and stainless steel with a pivoting head which allows. Ideal for shavers that are comfortable handling standard safety razors and desire more blade-feel and control. Leaf is beautiful unisex razor reinvented for modern needs. This is the a 'aggressive' version of the Twig razor, known as the 'Thorn'. Leaf Shave Twig Thorn Razor is a sustainable plastic free, beautiful and modern razor for both men and women. ![]() I've never seen these features exposed in any third party SQL GUI client. Some of the features I use regularly: row/column/covering index creation, linked servers, user management, live query plans, create/alter script generation from existing objects (stored proc, view, index, table, etc.). One can interact syntactically with the database via pure SQL, but SSMS lets you access the deep corners of the database quickly via a GUI (SQL is a great query language, but many admin/ops tasks are much more easily done via a GUI - writing SQL every time you want make a simple change is tedious plus nobody remembers the syntax for infrequently used features). (despite my carryover reservations with MS products from the 1980s-90s, SQL Server is indisputably an innovative and solid piece of technology - MS did something right with their database group). SQL Server's free native tool is SSMS (SQL Server Management Studio), which is one of the most powerful SQL clients I've ever used. I really like general multi-db GUI tools like this, but also wonder if one is giving up a lot of power. So when one comes along that is as good as this, they could charge twice what they do and I'd pay happily - but not everyone can justify/afford that much on developer tools. There is significant competition from things built using "cross platform runtimes" (Electron, Java). But I'm also very aware that high quality fully native developer tools are quite few and far between, and the number that are also cross platform is miniscule. I'm lucky enough to be paid pretty well for my skills and experience, and I (or technically my company) can maintain some software and release it as open source. Sure, that gives you the warm fuzzy feeling, and benefits anyone with > 2 machines, but it doubles the price for those who only need one seat under the current scheme. Would you prefer it it was per-person but cost $99 for a licence, with a year of updates? What's always missing from these type of discussions is the consideration that just maybe, offering it as per-seat rather than per-person is why the price is what it is. If I happen to need TP next time I'm using that machine, the cost of adding another seat to the license is offset by some fraction of an hours billable work, and lasts for a year. I do have another machine, but it's effectively a "spare" / "travel" machine, so I don't use it a lot. I have a single license for TablePlus right now. This team really is great and I highly recommend trying their tool for free and upgrading to the paid version if you find it useful, which I think any developer will. The team eventually committed to a Linux version, and after a year of development updates I was invited to the beta and had been using it ever since. Let alone something as easy to use and powerful as TablePlus. The forum post quickly started gaining momentum from other Linux users who discussed how there is quite literally NO good DB GUI on Linux (other than the CLI). ![]() ![]() Each version is maintained by a seperate team (from my understanding) within their business and it is built on the native language and frameworks for that platform.Ībout 1.5-2 years ago I started a discussion on their forum about bringing a version to Linux (at the time it was only Windows and Mac). And MOST IMPORTANTLY, this isn't an electron application. They offer tools on every platform (Mac, Windows, Linux). Lastly I need to point out an often-overlooked reason to consider TablePlus. Finally offering a generous free version supports newbies and the dev community. But i think that this is a great balance between being fair (it is perpetual at the version + 12mos that you bought it at), while also incentivizing and allowing to support further development. You do need to renew if you want newer versions, as the $60 license only covers 1 year of updates. I also like that it is a perpetual license, so you don't need to "subscribe" if you don't want to. This is well worth any developer's time as it accounts for only an hour or two of their wages most likely. You can upgrade to support them and to remove the few limitations in the free version for just $60. New devs will easily be satisfied with the free version. First of all, it is free to use in its entirety forever, with only a small handful of limitations. The pricing model is EXTREMELY FAIR in my opinion. ![]() In addition, I can pay 1 licensing fee and get access to a powerful tool for working with all of these databases, instead of needing a separate tool for each one (which was the case in the past). I can get proficient at one tool and use it for everything. It is awesome to have one very powerful and well-maintained program for all my database needs. I like that you can use the same GUI for PostgreSQL, MYSQL, Redis, MongoDB, and SQLite (there are even more than this, but these are the ones I use). I don't have any affiliation but started with their mac app. I've been using TablePlus for a long time now as well. ![]() In 1907, the cover price rose to 15 cents and 30 pages were added to each issue along with establishing a stable of authors for each magazine, this change proved successful and circulation began to approach that of Argosy. Howard, Talbot Mundy and Abraham Merritt. Haggard's Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs, Robert E. Rider Haggard, a sequel to his popular novel She. The magazine began to take off when, in 1905, the publishers acquired the rights to serialize Ayesha, by H. The Popular Magazine introduced color covers to pulp publishing. Due to differences in page layout, the magazine had substantially less text than Argosy. A dime novel and boys' weekly publisher, they saw Argosy's success, and in 1903 launched The Popular Magazine, billed as the "biggest magazine in the world" by virtue of being two pages longer than Argosy. In six years Argosy went from a few thousand copies per month to over half a million. While the steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels, prior to Munsey, no one had combined cheap printing, cheap paper and cheap authors in a package that provided affordable entertainment to working-class people. The first "pulp" was Frank Munsey's revamped Argosy Magazine of 1896, about 135,000 words (192 pages) per issue on pulp paper with untrimmed edges and no illustrations, not even on the cover. Modern superhero comic books are sometimes considered descendants of "hero pulps" pulp magazines often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective. Although many respected writers wrote for pulps, the magazines are best remembered for their lurid and exploitative stories and sensational cover art. ![]() ![]() Pulps were the successor to the penny dreadfuls, dime novels, and short fiction magazines of the 19th century. Magazines printed on better paper were called "glossies" or "slicks." In their first decades, they were most often priced at ten cents per magazine, while competing slicks were 25 cents apiece. The name pulp comes from the cheap wood pulp paper on which the magazines were printed. Pulps were printed on cheap paper with ragged, untrimmed edges. ![]() The typical pulp magazine was seven inches wide by ten inches high, half an inch thick, and 128 pages long. Founded by a police officer, we understand the importance of home security.Pulp magazines (often referred to as "the pulps"), also collectively known as pulp fiction, refers to inexpensive fiction magazines published from 1896 through the 1950s. That's why Hue & Cry home security systems offer an exclusive "works when needed" performance guarantee. When it comes to protecting your home and family, there are no second chances. *Reliability – Hue & Cry is a trusted source for protection and continually seeks better answers, solutions and approaches to solving customer's security and life safety issues in an effective, affordable way. *Innovation – We only use current, stable protection technologies and product components which are necessary and reliably effective in accomplishing your objectives. We'll never use a one-size fits-all approach with your protection. *Truth – We present what is real and true and customize security solutions around your situation and needs. Since 1977, we've been protecting people just like you! We have three core values we bring to you: Hue & Cry brings the best in advanced technologies, security and life safety services to homes and businesses in Northern California and Southern Oregon. ![]() ![]() Waters also has posted a video trailer for the rescheduled tour on his YouTube channel in which he explains the themes behind the trek.Ĭheck out all of the dates at .Ĭopyright © 2021, ABC Audio. Wow! My first farewell tour! Don't miss it." Roger Waters Net Worth: Roger Waters is an English musician, singer, songwriter and composer who has a net worth of 310 million dollars. The 77-year-old Rock & Roll Hall of Famer finishes his message by noting, "Could be his last hurrah. The show includes a dozen great songs from PINK FLOYD'S GOLDEN ERA along side several new ones, words and music, same writer, same heart, same soul, same man." Rock & Roll Hall of Famer Roger Waters, a co-founder of the legendary progressive-rock band Pink Floyd. He continues,"t is a stunning indictment of the corporate dystopia in which we all struggle to survive, and a call to action to LOVE, PROTECT and SHARE our precious and precarious planet home. By Frank LoveceSpecial to Newsday October 11, 2021. Roger Waters - The Bar - New Song () Nipote PF 1.31K subscribers Dislike Share 7,206 views From a video from Facebook, a new song for Roger Waters for Stand-Ups for Assange. In a new statement, he describes the tour as "a ground breaking new rock and roll/cinematic extravaganza." Catch him live by checking tour dates and ticket details. For additional ticket questions, fans should contact their point of purchase.Īs previously reported, the This Is Not a Drill concerts will be staged "in the round," a first for Waters. Roger Waters has rescheduled his This Is Not A Drill Tour of North America to summer and fall 2022. Roger Waters will play 36 shows across the US and Canada and will stop in Atlanta on Augat State Farm Arena. Fans are encouraged to hold on to the original tickets, which will be valid for the new dates. New York, NY Ap AEG Presents/Concerts West is pleased to announce the new dates for Roger Waters This Is Not A Drill tour in the Summer of 2022. In 1965, he co-founded the progressive rock band Pink Floyd.Waters initially served as the bassist, but following the departure of singer-songwriter Syd Barrett in 1968, he also became their lyricist, co-lead vocalist and conceptual leader until his departure in 1983. Those who purchased tickets to the previously announced 2020 tour dates will be sent an email with updated information. George Roger Waters (born 6 September 1943) is an English musician, singer-songwriter and composer. The outing includes two-night stands in Toronto, Philadelphia, New York, San Francisco and Los Angeles. The 36-date trek, which now will take place in 2022, is set to kick off on July 6 in Pittsburgh will run through an October 8 show in Dallas. ![]() Courtesy of Roger WatersFounding Pink Floyd singer/bassist Roger Waters finally has announced rescheduled dates for his This Is Not a Drill tour of North America, which originally was supposed to kick off in July 2020 before being postponed because of the COVID-19 pandemic. The album Waters first for a quarter of a century has been produced and mixed by Nigel Godrich, best known, of course, for his work with Radiohead. |